Flora Kirsch Beck Gallery

THE FLORA KIRSCH BECK GALLERY SCHEDULE
2011—2012


Gallery Hours and Location


Student Show
September 6–October 6, 2011

A portrait by student Andrew Wright

Andrew Wright


This exhibit showcases Alma College student artwork created in the art courses offered during 2010—2011. Alma College Art Faculty selects the work at the end of each semester. These works will be exhibited in the Main & Lounge Galleries.
Reception: Thursday, October 6, 2011: 4–5 p.m.



Alumni Show
October 10–November 10, 2011


A drawing by Tina Vivian

Tina Vivian

This show includes work by alumni who were invited by Art Department faculty to present their recent work.

Homecoming Reception: Saturday, Oct. 15, 2011: 4:30–6 p.m.
Closing Reception: Thursday, Nov. 10, 2011: 7–9 p.m.



Dylan Miner
October 10–November 10, 2011


A piece of art by Dylan Miner

Dylan Miner

Artist’s Statement: I work as a border-crossing artist, activist, historian, curator and professor based in Michigan and New Mexico. Working primarily in print, installation, and social practice, my art explores commonly forgotten histories and people's ability to resist oppression. The work at Alma invites participants to investigate issues surrounding contemporary politics, economics and identity.



Joseph Bergman—Works on Paper: Drawing and Digital Art:
November 14–December 15, 2011

Digital art of Joseph Bergman

Joseph Bergman

Artist’s Statement: My work is based on the spontaneous but systematic reordering of the visual source materials. The works do not directly explore the communication of ideas, but instead examine visual materials for their own sake. Through the process of deconstruction, ordering and reconstruction new infinite possibilities arise.

Closing Reception: Thursday, Dec. 8, 2011: 7–9 p.m.
Gallery Talk begins at 7:30 p.m.



Karen Bondarchuk—Sculpture
January 9–February 9, 2012

Tempus Fugit by Karen Bondarchuk

Karen Bondarchuk

Artist’s Statement: My work explores the artificiality that often defines our relationship with the wild, and the reality that most close encounters with wildlife are by human design (zoos, roadsides, galleries, natural history museums, etc). I use scale to convey the notion of these intelligent creatures being ‘bigger than us,’ beyond our comprehension, and certainly worthy of our attention.
Closing Reception: Thursday, Feb. 9, 2012: 7–9 p.m.
Gallery Talk begins at 7:30 p.m.



Andrea Ondish, Cindy Foley, Dorothy Anderson Grow & Margaret Ware—Group Show: February 13–March 15, 2012

A mixed media piece by Margaret Ware

Margaret Ware

Artist’s Statement: Consumer’s Armor addresses the issues surrounding, and resulting from, the insidious desire for consumption and the waste products produced by fulfilling that need. The material irony and irreverent processes are an ideological “smack down” of our spoiled and overly indulgent society.


A painting by Andrea Ondish

Andrea Ondish

Artist’s Statement: I began my current series after reading a comment in a magazine by a famous Hollywood actress. She was asked about the type of movies she accepts. Her response was: “I would not do a movie in which women are portrayed as tools.” Fascinated by her comment, I began this series of women as tools with ink drawings and then worked in watercolor, color pencil and acrylics. I feel titles have great importance with my work so I include the word “HER” in all titles. The imagery is metaphorical.

A mixed media piece by Cindy Foley

Cindy Foley

Artist’s Statement: I layer cut papers, imparting a slight third dimension to my images. These papers are manipulated in multiple ways: pigmented, stitched, and drawn upon with pen and ink. The pen line rim of a mask encloses the human face as object for wear by non-human species. Fruits, birds, the four-leggeds, appear with human masks as decorative or playful objects.

An etching-monotype-collage by Dorothy Anderson Grow

Dorothy Anderson Grow

Artist’s Statement: My art is the surprise ending resulting from the combination of emerging and evolving forms. I start with an ink line drawing, a halftone image or a monotype form that I transform into several etching plates. Repetition, overlapping, overprinting, and collage help me create a completed, multi-layered work of art.

Closing Reception: Thursday, March 15, 2012: 7–9 p.m.
Gallery Talk begins at 7:30 p.m.



Senior Show
March 19–April 21, 2012

A drawing by senior Lauring Caige

Lauring Caige

Each year senior art majors seeking a Bachelor of Arts or Bachelor of Fine Arts degree are required to present a thesis show as part of their requirement for graduation. This show exhibits the culminating works of these young artists as they begin their journey into the professional art world.

Reception: Saturday, March 31, 2012: 2–4 p.m.



Flora Kirsch Beck Gallery Hours and Location

The Gallery is located in the northwest quadrant of campus. See the campus map. Select 'Clack Art Center' under the 'Find Building' option.

Hours: Monday—Friday 9 a.m.–5 p.m., Saturday 10 a.m.–2 p.m.

Gallery Closed: October 20—23, 2011, Fall Term Recess; November 24—27, 2011, Thanksgiving; December 17, 2011—January 9, 2012, Christmas Break; February 25—March 4, 2011, Winter Term Recess; April 6, 2010, Good Friday; and April 22 closed for the season until September 2012

Gallery Director: Dan Connolly (989) 463-7339

Arrangements can be made with the gallery director for group shows, talks, school group visits and other special events.

 

The Alma College Students in Free Enterprise (SIFE) team has won 10 consecutive regional championships at the SIFE USA Regional Competition in Chicago. The competition awards the SIFE teams that are most effective in teaching the principles of market economics through outreach projects in their communities. Last year's team presented 12 projects, including teaching ethics and entrepreneurship skills to students at a juvenile detention center and creating a sustainable business plan for villagers in Uganda.

 

Faculty Profile

Prof. Sandy Lopez-Isnardi

Prof. Sandy Lopez-Isnardi
Departments: Art and Design

In the print “Sands of Time” dark shadows and textures come together with silver and grey tones to form an almost surreal beach setting. Sandy Lopez-Isnardi, associate professor of art and design, has been making traditional gelatin prints like this for more than 20 years. Her work also includes non-silver and chromogenic prints and most recently has focused on the Midwestern landscape in photography. Her digital work is experimental, including two-dimensional and installation works.